{"id":1849,"date":"2026-10-09T14:30:23","date_gmt":"2026-10-09T12:30:23","guid":{"rendered":"https:\/\/interferences-huntheater.ro\/2026\/?post_type=event&#038;p=1849"},"modified":"2026-11-02T19:21:06","modified_gmt":"2026-11-02T18:21:06","slug":"the-bald-prima-donna","status":"publish","type":"event","link":"https:\/\/interferences-huntheater.ro\/2026\/en\/events\/the-bald-prima-donna\/","title":{"rendered":"The Bald Prima Donna"},"content":{"rendered":"<p>Characters in <em>The Bald Prima Donna<\/em> talk about banal things, they say banal things. But I did not write the play in order to criticise the banality of their words: no, not at all. What they said did not seem banal to me, but, to the greatest extent, shocking and extraordinary. A comedy was born, although the initial feeling was not one of comedy. Onto this starting point several things were grafted: the sense of the world\u2019s strangeness, the language spoken by people, which became unfamiliar to me, concepts stripped of their content, gestures deprived of their meaning, a parody of theatre, a critique of conversational clich\u00e9s. I told myself that starting from the simplest elements: arithmetic, the alphabet of arithmetic, if I may put it that way, one could create a play. To push burlesque to its limits. (&#8230;) The transition from burlesque to tragedy must be done in such a way that the audience does not notice it. The characters in The Bald Soprano have nothing to say to each other, yet they constantly chatter about it.<\/p>\n<p style=\"text-align: right;\"><strong>Eug\u00e8ne Ionesco<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Satu Mare Northern Theatre \u2013 Harag Gy\u00f6rgy Company, 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