El\u0151ad\u00e1s egy rendk\u00edv\u00fcli asszony rendk\u00edv\u00fcli \u00e9let\u00e9r\u0151l. Alma Schindler \u2013 Mahler \u2013 Gropius \u2013 Werfel: egy fest\u0151m\u0171v\u00e9sz l\u00e1nya \u00e9s kora legh\u00edresebb, legtehets\u00e9gesebb f\u00e9rfijainak kedvese. B\u00e9cs m\u00fazs\u00e1jak\u00e9nt ismert\u00e9k, \u0151 volt az ihlet\u0151je t\u00f6bbek k\u00f6z\u00f6tt Gustav Mahler zeneszerz\u0151nek, Gustav Klimt fest\u0151m\u0171v\u00e9sznek, Walter Gropius \u00e9p\u00edt\u00e9sznek, Oskar Kokoschka k\u00e9pz\u0151m\u0171v\u00e9sznek \u00e9s Franz Werfel k\u00f6lt\u0151nek. A Dejan Projkovski rendez\u00e9s\u00e9ben \u00e9s Sasho Dimoski sz\u00f6vege alapj\u00e1n k\u00e9sz\u00fclt el\u0151ad\u00e1s Alma \u00e9let\u00e9nek t\u00f6red\u00e9keit mutatja be, visszatekint\u0151 jelleggel. A m\u00fazsa szerep\u00e9be b\u00fajt n\u0151 saj\u00e1t sz\u00e1mvet\u00e9se ez: ihletet adni vagy alkotni; h\u0171s\u00e9ges \u00e1rny\u00e9knak maradni vagy saj\u00e1t f\u00e9nnyel ragyogni; a nagy alkot\u00f3k oldal\u00e1n \u00e1llni, mik\u00f6zben a szerelem \u00e1r\u00e1t a saj\u00e1t tehets\u00e9g\u00e9vel fizeti meg. Alma Mahler t\u00f6rt\u00e9nete \u2013 egy korszak nagy \u00f6zvegy\u00e9\u00e9.<\/p>\n","protected":false},"excerpt":{"rendered":"
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